Artist Feature A master of the bokeh technique - taking it to new levels with his cinematic style, Bruno Aveillan has become one of the most sought after directors-filmmakers-photographers in the industry. You've probably already seen his work showcased in prominent campaign's for L'Oreal, Luis Vuitton and Cartier et al. So, I don't need to go into much depth here with adjectives about what his works inspire, I've said enough about my preferences in speaking about other artists, but this technique is something I would really love to learn.
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A closer look at the works of Irish painter Anne Magill - The power of story – its a topic that’s permanently on my mind so I’m drawn to it, or naturally seek it out in any medium. Recently I was listening to some instrumental music that was made even more compelling because the artist, a guitarist, told a story with his musical pieces, without the use of words. In this case though, its paintings. Anne Magill’s work is in focus as she tells visual stories with her canvasses. She’s been described as the “female Jack Vetrianno”, but in my opinion she’s better than him, simply because – rather than forming re-imaginings – she employs fewer colours, adopting a subtler approach, making her work seem more like old photographs … or just someone else’s half-recalled memories. Maybe it’s my fascination with history, nostalgia and sentiment that makes her work appeal to me all the more, or appeal to anyone interested in pockets of time, or glimpses into lost moments or just the overall ideas she communicates… whatever the case, here is some of her work. Enjoy. "I'm more interested in atmosphere rather than the specific idea of a person in the landscape. And I am fascinated by the essence of old photos. When I was young we had few photos in the house but I loved the glow of those that were fading, like memories. Sometimes I add the soil of a certain place to the paint and use it in the background." - Anne Magill {Interview - Belfast Telegraph, 2010. "I’ve always been drawn to creating a picture that tells a story “When I first encountered Anne Magill’s paintings it took me a while for my eyes to find their focus. As if the characters were emerging from memory, or fading into it. They put me in mind of those late-Victorian photographs, like Whitlingham Vale by G. Christopher Davies, in which a ghostly boat eases its way along a winding river, or P.H. Emerson’s At the Ferry – A Misty Morning, in which a milk cart stands at the water’s edge. Anne’s paintings seem to occupy a similar, half-dreamed territory. A hazy place, both powerfully present and weighed-down with the past.” --- Mick Jackson For more of Anne Magill's work, as well as her background information, visit her official website: www.annemagill.com [Image Credits: www.annemagill.com]
Artist Feature: Saul Leiter (1923-2013) is one of the foremost photographers in the history of the medium, described as an iconoclast, he came to prominence in the early 50's through his use of color, showing that Black and white photography was not a sacred thing. - Usually I include a brief summary of the artist, their biography etc. but in light of Leiter's quote from an interview shortly before he died (in 2013), I'll keep the words to a minimum, and let the photos, his work, speak for itself... from me, it must be said though, it's hard to find a photo that I don't like.
"You’re going to write about my work? Really, and I mean this, the less said the better."
“LEITER WAS PERHAPS THE MOST INTERESTING OF THE FIFTIES COLOR PHOTOGRAPHERS in his use of form…. The overriding emotion in his work is a stillness, tenderness, and grace that is at odds with the mad rush of New York street life.”
—The New Yorker “I LIKE IT WHEN ONE IS NOT CERTAIN WHAT ONE SEES.”
The TRAILER to the documentary film on Saul Leiter "IN NO GREAT HURRY: 13 lessons in life with Saul Leiter" (2012) :
After his death in November of 2013, the Guardian Newspaper described him as "one of the quiet men of American photography. A pioneer of colour... relatively unsung until he was rediscovered by curators and critics in his early 80s".
"I much prefer to drink coffee, listen to music and to paint when I feel like it."
"A window covered with raindrops interests me more than a photograph of a famous person." Thanks to Filmmaker and writer/poet David Martinez Romero, I’m privileged to introduce many of you to another talent from Spain, photographer Juan David Cortes. As with any artist, their words inevitably are echoed best and loudest within their body of work, but attached is a brief Q&A to get to know the man behind the camera. What binds us all, is the element of ‘story’, and as the saying goes “a picture says a thousand words”, mainly because every image communicates a different message to each new set of eyes. A common theme among photographers is that their work is simply a perception and interpretation of life, and within this dynamic we find different meanings to lend more resonance to our existence. One could look at it this deeply, or you could peruse the photos just to find something beautiful and interesting, because what would the world be like without these elements and finer details? I chose to display this first image, because I lived it just last week... Enjoy! Q & A with Juan David - [Darkened text are Juan David's words] 1. What model camera do you use/what would you like to use in future? I use several cameras. A digital slr (5D mark II) for assignments and some specific personal work, for all the rest I use film cameras: 35mm reflex Olympus OM-1 and eos 5, 35mm rangefinder Canon 7, and medium format Bronica. I´ve never thought what camera I would like to use, I think each work needs it´s own tools, so one that I feel comfortable with. 2. It's different with every artist, but if there is one, then what is the most striking/vivid/favourite photo you've ever taken? And partnered with that, what is your favourite subject - some photographers, like landscapes, nature, movement...? I can´t choose a favourite photo, every photo has it´s particular mood, moves some feelings and doesn´t move others. I mean that the pictures among my own that strike me today are not the same that will do tomorrow. I like the fact that there´s always some discreet and subtle photos that eventually become “chosen” and some striking and powerful ones that you get eventually tired of. 3. When did you realize you wanted to be a photographer? One day, when I was 23 or 24, watching the photos that a friend has taken in a travel. I felt as if I was watching photos for the first time. Looking at his pictures (Marcos Bauza great and inspiring photographer) I felt something hard to explain, but that could be said that life will be much more interesting with photography in it. Later on, I realised that while I have photography I will never feel alone or meaningless, It provides me a place in the world. Later on I discovered that It´s like living with a highlighter pen used to express your opinion in an metaphoric way, more instinctive and at the same time more open and more accurate. 4. How has photography changed the way you see the world? I don´t think that it has changed my way of seeing the world, beyond that now I pay attention all the time to light and composition, even when I don’t have a camera with me. I think that photography is used from inside to outside, to express more that to see. 5. If you were not a photographer, then what would you be (also, what was your ambition when you were a little boy, since I believe photography could not always have been your passion)? When I was a little boy I wanted to be a sea biologist, I was a sea life freak. When I was six or seven my dad bought me a five-volume sea world encyclopaedia and practically memorized it. As an adult I think I would like to be a carpenter. I think a good phrase is very similar to a good photo... “God is among pots” “It´s not the mountain ahead that wears you out, It´s the pebble in your shoe.” - A Chinese proverb that I first heard from Muhammad Ali. Regarding the photos… I´m not going to pick any [favourites], just tell you that the most personal works in my web are “rhetoric”, “summer is almost gone”, “przewalskii” and “yerma” which is a work in progress... *** [All images are Juan David's and are used by his permission. The captions refer to the name of the respective series'. The one image without a caption is from Tumblr] Muchos Gracias Juan David! Artist Feature "Eldorado. Actually, it is 8 years old. But it did not become an independent brand until the second year, so you could say Eldorado Entertainment started 6 years ago. Eldorado Entertainment was my first project as an entrepreneur/ producer/ director. I am not sure what will come of it in the future: I believe I will make only fiction out of it, I mean, if I am lucky: tv series and movies. On the other hand, The Homo Artifex Project is the main project, very soon my new company, and I will base its business model on two directions: one, tv spots, virals, commercials and other stuff for clients; two, Homo Artifex, an internet video channel in which I will publish videos about artistic processes and many other things related to arts, science and philosophy. But The Homo Artifex Project is still developing into a proper company. My objective: launch the channel before the New Year and make it a profitable company this very year, Already working on projects on demand by new clients. You will see some of them very soon." - statement by David M. Romero Showreel 2010 from Eldorado Entertainment on Vimeo. And speaking of Homo Artifex, here's the latest video "Glede" Introduced as such -- While the official presentation of Homo Artifex presents the theme of 'in the distance', we had the opportunity to participate in a particularly interesting project, and put it to video; a gathering of musicians of Norwegian and Spanish jazz, we have called "Glede" (joy ">, in Norwegian). I hope you enjoy it, as it also serves as an incentive, for the expectation of the arrival of our next work. Glede from Eldorado Entertainment on Vimeo. Another recommended video by David Martinez Romero, showcasing his directorial work... ***ANNOUNCEMENT***: Steven Benjamin will be away for the month of August, so there'll be no Blog updates till September. God Bless! --- Artist Feature --- "For me, what I do is about giving birth to an idea. I become obsessive about my ideas. I dream them; they live inside of me. But to be able to stay true to your vision until the bitter end? That's success – there's nothing higher than that." Her eyes light up. "Everything else is just bullshit." It’s been a while since I’ve done an artist feature, so, taking a break from politics and shifting gears but not toning down the mood at all that has been permeating on this blog. So here's an infusion of music; we all need it, even if we don’t know it. Lykke Li (pronounced Lick-E-Lee for those wondering) is synonymous with a variety of instrumental work and her wispy, oft sombre, retro, child-like vocals. She’s been described as being “sweetly melancholic”. Born to self professed hippy parents (a musician father and photographer mother) she says that although she was born in Sweden, she traveled so much that she doesn’t identify with the country of her birth. By the time she skipped out at 19 yrs old and go to NY to pursue a singing career, her family were living in Morocco. So, she’s Swedish without being Swedish… Personally I can’t place why I’m a fan of hers, but I suppose if I must say, then it has something to do with that trademark nostalgia to her sound. It speaks of things past – what we can never get back again, and this is evidenced within some of the song titles – ‘I Never Learn’, ‘Just Like a Dream’ and ‘Never gonna Love Again’. I was only introduced to her late (comparatively) via her second studio album ‘Wounded Rhymes’. The first song I heard was ‘Rich Kids Blues’ and the landmark ‘I follow Rivers’ which had an arguably longer life span thanks to the many dance remixes around (most notably by that of DJ ‘The Magician’). I like the fact that she’s somewhat stand-offish with both her music and her fans, perhaps its just me being a writer, but even though we know a lot of facts about Lykke Li, she still retains an enigmatic air. Otherwise, I just find her paradoxically refreshing. She says touring often pains her, where she was once even diagnosed with PTSD, because in reality, she’s an introvert, so becoming a pop star was probably not the best thing for her, health wise. Coming Soon: Her latest Album 'I Never Learn' (see cover art below) makes its world debut on 5 May. Lykke Li: [Image Credits: prefixmag.com, discodemon.net, facebook.com/lykkeli, followfrisby.files.wordpress.com, studiotota.com, wikipedia.com, ilistenbecauseican.wordpress.com, pastemagazine.com, wanttickets.com] “It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.” Story of remoteness, 8. Voice in the Distance Poem by David Martinez Romero I always return from the far land to where I always head for. And each time, my hands, delicately hardened by time, quiver just with the presence of the sparse memory of a past that never was, that only happened because we dreamed, and inside our dreams the lies also disappear, already lost the right to cling onto what we know is not true. That’s why I speak from remoteness, because lying down here, beside you, I prefer to remain in silence, I choose not to take the floor, but your hands in mine. I choose to die in the quietness and to be reborn in the sense of touch, into the inhospitable region of the very lamenting creatures which sinuously crawl into the chrysalis, the future, the enormous wall, made of sky and music, that descends over the sea and generates horizons, frontiers, distances. The remoteness amongst one and another man: behold the Eternity. Read more at David Martinez Romero's blogspot... "I brought you another poem by David Martinez Romero, included here because despite its humble length, he and I did wrestle a bit with it, such that it may have taken on new or added meaning in the translation from Spanish to English. But, such is the nature of poetry and writing, when even the poet himself sees that his creation may speak its own language. Personally, I see it as quite a vague piece, that communicates the same message as reflected in the title, because it feels wispy, faint and subtle, even in the actions, which are sleight; the voice, a voice, the echoes of small gestures. Ultimately, I also needed something a little lighter compared to heavy content I've shared recently, so in effect it feels rather relevant that the poem communicates a soft message of purity, something which one needs to remember, especially in these chaotic times..." [Image credits: devpolicy.org, photosof.org, dejavouz.files.wordpress.org, deviantart.net, media.massal.net] |
[Banner illustration by Joel Kanar]
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